In Production for Voice Over Class

Last year I taught some voice over workshops in Guitar Centers up and down the West Coast.  I had so many colleagues and friends pulling me aside asking me how I was surviving solely on voice over work but then I had other friends and colleagues pull me aside telling me not to give that information out for free. 

So I wrote it all down, pitched the idea to the Guitar Center and taught a six hour workshop several times in 2010.  It was fun and rewarding – and I learned that I’m a pretty good teacher.  But I also noticed that I quickly wanted to get back to doing what I was teaching people about.  At the end of the day I want to help people who ask me questions but I don’t really want to be a teacher of how to do the work.  I want to do the work!

I decided to film my workshop and bundle it into 3-5 super informative videos.  Someone will be able to download just one video (like say if they already have a home studio so they don’t want to buy that chapter) or they can buy all of them for a better price.  Anything you download will come with a course material packet to follow along.

These videos will be perfect for anyone wanting to do voice over but not move to LA or NYC.  They show that one can make a good living doing this stuff without having to uproot yourself or your family.  They’re also good for someone who lives in one of these cities, is an aspiring voice over actor and can make some money doing these online voice over jobs to build your resume.

We’re almost done shooting all the content.  I hired an editor this time so it will be sure to get done!  And, since the videos are downloadable, I’ll be able to add content as I find out new information and keep them up-to-date.  I can’t wait till it’s all done!

Teaching the Way I Learned Best

In my last year of college at the University of Washington, I spent a semester abroad at Oxford University (St. Edmund –or “Teddy” Hall).  Teddy HallMuch to my surprise there were almost no classrooms in the entire town of Oxford.  Just lecture halls and offices.  When I arrived it was arranged to meet with an advisor that would help me put my curriculum together.  We sat down in his office on a crisp, fall afternoon.

“So, what do you want to know about?” he said.  I couldn’t believe how open ended it was.  Weren’t they gonna tell me what they’d be teaching me?  At the time I was very interested in studying history via theater.  I found it a fascinating way to see what was going on in a culture or society.

“I was thinking about Modern British Theatre and…well of course…Shakespeare.”  The advisor promptly hooked me up with two tutors – each specialists in the topics I chose.  I was to meet with my primary tutor once a week for one hour and my secondary every other week for an hour. 

Both my tutorials began with the same, now familiar sentence…

“So, what do you want to know?”

The format is so simple.  Let’s learn and explore what YOU want to know about.  It’s also very effective.  I learned more in those few months than in the rest of my time in college.  (In the thickest of RP British accents) "And for God’s sake, if you’re bored say Oxford Evalsomething already so we can go in a different direction!” 

For each tutorial, they suggested books that I read and gave me a list of essay topics to choose from.  Then I returned, seven days later to stand in front of their desk and read a 3,000 word paper OUTLOUD that explored this topic.  It was crazy hard.  But it taught me a completely new way to learn.

Cut to many years later.  I’d been teaching voice over workshops in classrooms and via Skype about building your own home studio and finding work online.  I cover a lot of different types of work to get but I don’t cover too much about audiobooks.  While it’s still voice over work, it’s practically a different industry, very much a different recording process and certainly a different submission system.

Then I had a student tell me that they took a look through all my course material and that they were hoping they could focus on none other than audiobooks. 

I hesitated for a second but then I thought back to Oxford.  I thought, why wouldn’t we want to explore what he wants to know about?  He said he’s interested in submitting to some specific audiobook companies with very specific submission guidelines.  So I said, ‘let’s do it!’

Since then he’s created a beautiful body of demo material for audiobook publishers.  In retrospect, I’m so glad I didn’t force us to go through my course material.  It just wasn’t relevant to him and didn’t give him any forward motion in his goals to record audiobooks.  And now, I have a FULL chapter in course material people who want to go into audiobooks=)

I Stand with Wisconsin

http://local.we-r-1.org/

Light Switchboard on Young & the Restless Set

lighting switchboard

Pretty cool, huh?  I noticed this on my way out after a little voice over job on the Young & the Restless.  The lighting guy said that’s a piece of history right there.  Television City is where the Young & the Restless is filmed and it was the first studio built for television.  Any TV that aired before was shot in old radio studios.

It’s Time to Talk the Talk

I was just going through my New Year’s postcard to see what I’ve been up to that I can include in a submission.  Then I realized that I never posted this!

vo postcard2010

While I’m proud that I’ve been busy and that I’ve been busy doing voice over work, I feel like it’s time to start honing in on the jobs I really want.  It’s time to start talking the talk so I can hopefully walk the walk!

Mostly I want to work with the folks at Titmouse.  They make tons of animation shows that air on Adult Swim as well as lots of other neat shit.  I love their dry humor that comes through in so much of their work and I also like their animation style.

I’m also super into Star Wars: Clone Wars on the Cartoon Network.  I got a call back for that show once.  It was one of those auditions you so wish you could just have a do-over unfortunately.  That callback was very early in my career and I was nervous and intimidated.  If I had a callback like that now I’d be stoked to nail it but then I was just thinking about all the wrong stuff.

Then there’s The Family Guy and American Dad….sigh…would love to be a part of those shows too.

And if I declare it, then I can start going for it!

Eva Mendes is Rad

She’s smokin’ hot for starters.  But also, I love the choices she makes as an actress and as a public figure.  Her anti-fur nudey pics she did for PETA are sexy and bold.  Plus, she just seems like she’d be cool to shoot the bull with, you know?  Good style too, that gal.

Her Pimps Don’t Cry video that she made for Funny or Die is also pretty good.    It’s like she doesn’t take her career too seriously but she doesn’t blow it off either.  Yes, Eva Mendes is mos def in the ‘Cool to Kick it With’ catagory.

I’m Finally SAG

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The easiest weed out question I always hear when I’ve asked anyone for an opportunity in this town is,

“Are you SAG?”

Because if the answer’s “NO” then the conversation is over.  They’re off the hook for doing you any favors.  If the job is union they can’t hire non-union talent unless they can’t find a union worker to do the job.  If I had one arm and they needed a one armed leading lady, maybe.  If the job called for an Eskimo and I was a gal of Eskimo descent, I’d have a strong chance.  But if the job calls for a blonde, white woman, 25-40, chances are there will be hundreds of great SAG talent to choose from.

So I always knew it would be harder for me.  I also really did put in a LOT of non-union work that I will miss dearly but at the end of the day, I’m a union kind of gal.  My dad lead his union through two strikes against his airline when I was a baby so I’m all about keeping my unions strong.

Booked Again For The Young & The Restless!

Should be similar to the last time where I come in and record the voice of a newscaster.  Then my voice will announce the death of a character or something and everyone in the room will react=)

I like these jobs because those sets are such well oiled machines.  The Young & The Restless has been on the air since before I was born.  Every set and prop and piece of equipment has its place and I just enjoy watching it all operate.

Plus I like going to the CBS lot.  The guards at the gate tell me that I have the same scooter that Drew Carey has been driving on the lot with lately.  I dig him.  Not too much from his career as a performer but he created the Seattle Sounders and, consequently, a GIANT soccer movement has taken place in the greater Seattle area.  Smart-ass entrepreneur too – most of those games sell out.  I don’t even care that much about soccer, I just love how passionate people are about it now that the Seattle Sounders are around.  Why am I even talking about Drew Carey?  Oh ya, we have the same scooter and I like him because he made the Seattle Sounders=)

New Photos!

Happy to report that I am happy with my new headshots.  Kat Bartke-Nassief was the perfect photographer for me.

As soon as we wrapped up with the head shots, we hurried over the park in the hood and I took some NMERCER shots.  Those turned out great too.

Covering Ground in LA w/o a Car

A year back was the end of a string of the worst luck EVER with cars.  I’ve always had a car – but I’ve never had a car without problems (If such a thing exists; I mean hey, if you’re not paying for maintenance every month, you’re paying a car payment, right?).  I have always had the stress in my mind that, at any moment, it’s totally possible my car could break down and leave me stranded and clean my pocketbook all in the same day.  But last year was much worse than any other before.

In a year three transmissions failed on me.  I also had a slew of electrical problems with the tail lights and blinkers each failing at different times, to give me more fix-it tickets than I could count.  Right around the same time, everybody was going broke, including the cities, and the tickets were being passed out like candy on Halloween.  I got a ticket for a right turn on red in Culver City that came in at a whopping $617.  I didn’t have other infractions on my record or anything.  This was the fee for a first offense apparently.  Then I did some research and discovered I was a victim of the Culver City Red Light Project where these ass-holes actually shortened the length of the yellow lights from 3 seconds to 2 1/2 to gain more revenue.  By the time I found that out I’d already been to court and pled guilty so I had to pay up.

Gas prices are always going up.  I would have to remember to move my car at 7am to avoid $50 tickets from street cleaning.  If I ever got a ticket with a court date, the system is SO backed up it’s usually about a year away.  When I went into court, 90% of the people in the room where there for a failure to appear because they forget their court date since it’s so far off.  Another instant $700 fine.  The whole system just sucks.  I was sick of it.

Plus, I work from home.  Unless my agent sends me on an “outside” audition to a voice over casting director, I can do all auditions and jobs from my house.

So I did it!  I ditched the car in May and thought the world might end but it hasn’t.  There have been all sorts of discoveries I’ve made since then about how this city is actually trying to not be so car-centered.  Some of the bus routes are much faster than driving and, if you take your bike and put it on the rack, you can really get just about anywhere.

The single biggest factor that made all of this possible however, is (HANDS DOWN!) the Google Maps app on my Smartphone.  I pull it up and it locates my current location, type in where I want to go, select that I’m traveling with public transportation and tap “route”.  The phone pulls up the fastest way to get where I’m going with all of the busses and trains taken into account.  Hell, when I was in Seattle this summer, it even had all the ferry schedules included if they were a part of my route!

Then I started noticing all the other people on bikes lately.  The young kids on the fixed gear bikes, the old OG homeys that polish up and ride their low-rider bikes and of course all the beach cruisers.  Between that and electric scooters I feel like I’m witnessing a whole new culture emerge.

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No more worrying about DUIs.  No more worrying about $20 parking or $10 valet.  Honestly I can’t believe the amount of money I’m NOT spending.  I thought I was saving to buy the first non-beater car in my life, but the more I’m doing this, the more I’m liking it.

And if you think it isolates you you’re wrong!  Yesterday I left myPink Schwinn hood in South Central (another move I did to save some money) to get my hair done at the Aveda salon by UCLA in Westwood.  Then I met a friend in Santa Monica and did some holiday shopping and came back at rush hour to my house.  Then, after dinner, I met some friends for a karaoke birthday party at the Den on Sunset.  We’re talking 70 miles altogether! On this cute little thing!

The same people who don’t feel like going somewhere on their bike or scooter are the same people who wouldn’t feel like driving in traffic somewhere.  Either way, you find a way to feel isolated.

If I ever really need a car for something I just run down and rent one.  When you do the math, it’s so much cheaper to rent when you need one rather than pay to keep one around all the time.

Now that I have saved up some money, I like the way it feels and I think I want to keep doing it.  So I have my eye this little number that’ll really get me around.

EW500

It’s called the EW-500 electric moped and I’m in love with it.  You can just lift the battery out of the back and take it inside to charge it.  And, with the pedals on there, if the battery ever does die, you can pedal to the next place to plug in.  This thing is so awesome that I talked to the manufacturer and they said they can’t keep them on the shelves.  They sold out on Amazon in September and now they have them back in stock but raised the price a few hundred dollars.  You can still get them direct from the manufacturer for around $800 though, and they’ll assemble it and ship it to you for free.  And let’s just take a moment to compare that price to the price of buying a new car.  It’s no comparison!  Even a Vespa is no less than $3,000 and, though miniscule, you still have gas expenses.

That will help me get to those outside auditions even quicker and I still don’t need to pay for gas or registration.  The battery range is 40 miles so I can really cover some ground with that baby.  I’ll let y’all know how it goes!